Emin web.jpg
No. 9_Herbelin.jpg
No. 9_Patti.jpg
No. 9_Fashion.jpg
No. 9_Tran.jpg
No. 9_Gober.jpg
No. 9_Halard.jpg
No. 9_Emin.jpg
No. 9_Meyer.jpg
No. 9_Chardin.jpg
No. 9_Old Money.jpg
No. 9_Castellucci.jpg
No. 9_Monet.jpg
Emin web.jpg
No. 9_Herbelin.jpg
No. 9_Patti.jpg
No. 9_Fashion.jpg
No. 9_Tran.jpg
No. 9_Gober.jpg
No. 9_Halard.jpg
No. 9_Emin.jpg
No. 9_Meyer.jpg
No. 9_Chardin.jpg
No. 9_Old Money.jpg
No. 9_Castellucci.jpg
No. 9_Monet.jpg

BLAU INTERNATIONAL No. 9, Tracey Emin cover

€20.00

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In these pages, Tracey Emin bears her burdens for us all. Nathanaëlle Herbelin’s paintings are as complex as human beings. Patti Smith and Stephan Crasneanscki make an homage to Pasolini. And, from behind closed doors, Tobias Meyer coins the “Gay Man's Castle.”

Jackie Wullschläger then delivers an exceptional excerpt from her new Monet biography. Robert Gober reveals new work and an old conundrum. The shadowy strength of Delfine Bafort is captured by Larissa Hofmann and Marie Chaix. Donatien Grau, presenting his collection of Roman coins, turns myth to reality. The skulls and bones of the Sedlec Ossuary are photographed by François Halard. Romeo Castellucci consumes his audience. And Chardin paints not the thing seen, but seeing the thing.

English language; 23.3 x 28.0 cm (paperback); 220 pages (color illustrations)

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